Apr 6, 2020

Album for Album - Part 4: Skylar

Moving right along here, we've got Skylar's pick for me here. So far, I've yet to see an album I've actually heard. Which of course isn't surprising considering the entire point of these posts is to expand on my complacent tastes.

   With my sleep schedule being so messed up, I'm currently sitting down for my breakfast/dinner at 5:30am. I tossed this on while I prepared the meal. I noticed I had to keep turning it up. Not because the mix was quieter than the other music I've been listening to, because it was so fucking good. The album bounces around styles, but in a strangely cohesive way. Tracks like "2010" are a rapid paced, electronic timelapse type feel, when the track right after is a slowed down, ambient track that makes you feel like you're on the ocean floor. There's a strange confidence to the way this whole album plays, without it being cocky. Intellectually emotional material that made me wiggle my hips while cooking and stare into space and almost burn my food.

   I feel like this album will be one of the top revisited albums that friends have brought to my attention. I haven't had a chance yet to look backwards/forwards into any of the recommended bands, but this will be one of the first I do that with. Thank you again to Skylar for bringing this to my attention!

4/5

I'm recommending The Bad Plus: Never Stop 



-Novak

Album for Album - Part 3: Josh

Hi. More new music from friends time.

   This album has a TON of power and emotion behind it. It starts at first with sounding more or less like a very powerful, tight emo band. It keeps widening out as the album progresses, in a really cool way. More effects are introduced, while the drums and bass remain grounded which gives it a really cool sonic space. Lots of gang vocals for the choruses, with simplified drums for them really make those parts explode. It's all done really well. There's always a slight bed of electronics underneath the parts too. It's kind of cool how it's done because it's not so much an extra melody as just doubling up what the guitars are doing underneath.

   Dark Island City is my favorite on the album. It's sort of a pause from all the excitement into a trance like space. The production is super minimal and the noisy tracks take the front seat to make things a bit more meditative. I think it's my favorite because the vocals are more whispered than shouted. The vocals themselves are perfect for this style, but not so much my thing at all. Overall a really great album that I'll definitely be revisiting.

4/5 

 I'm recommending The New Regime: Coup in return.

-Novak

Apr 2, 2020

Album for Album - Part 2: Michael Dehgean

Hi. Just because we're not allowed to be around people doesn't mean people can't tell you cool music to listen to, especially if the way they recommended it was through an Instagram message. That being said, let's keep the party going with more music friends told me to listen to.


   Holy fuck. I can already tell this is going to be one of my new favorite albums because it's already one of my new favorite albums and I'm only two tracks in. Instantly immersed in a galaxy of mile wide reverbs, rich orchestral layers, and warm, sad vocals. This kind of music, as easy as it may seem to make is extremely difficult to be done in a way that doesn't sound like you're just ripping off the masters of this trade. Any slight deviation in tone or notes may distract you from the hypnotic trance this music is intended to achieve. I've heard countless bands get lumped into that "shoegaze" genre that are either overdoing it, or just simply missing something. That being said, you can tell these guys have been long time fans of early 90's shoegaze music because it's done so tastefully and respectfully. Goosebumps throughout.

   I cannot recommend this album enough. I had a feeling I would have some homework to do on finding good bands from friends, but I seriously cannot express enough how hard I have fallen for this record already. 

100/5 


 
In return, I'm recommending Deaf Center - Lobby.


-Novak

Album for Album - Part 1: Mike Bellis

   It doesn't look like anyone's going anywhere anytime soon, so I've been finding myself more inclined than ever to contribute to this. I made a post on Instagram telling people to send me an album they thought I hadn't heard. I'd listen to it, write a short review, and send them an album to do the same. I don't know how you guys are, but it's really easy to get stuck listening to the same records or bands. Hopefully you guys recommend some things that don't suck. 

Mike Bellis: Friend, guitarist, and winter hat wearer Mike Bellis sent me three albums. I initially told him to pick just one, but let's be honest - what the fuck else am I doing, right? So here were his three picks and what I thought.

  I was told to listen to these albums in order. The first track starts with feedback and some dude reading a list of things to do before you listen to the album. He told me things like to have a pregnancy scare, to always have a poorly thought out plan, have roommates regardless of your age, and so on. Some of these things were cool and some were goofy. I did my best to abide and continued listening.

   The second I heard the first proper song I wanted to turn it off. Then the singer came in and now I knew exactly where Mike gets his vocal inspiration from. It made the music make more sense to me. Each song made me like the album more and more. The music has an almost childish, very loose type feel. It's not all great though. Songs like "Sara Hayden" sound like what 16 year olds would make an hour after hearing The Cure for the first time. "Eric Hall" was definitely my favorite and the most unlike anything on the record. It sounded like something off an Unwound album. Jerky rhythms and melodic leads, without it being too try hard.

   I'd also like to note that one of their album covers is a heavy nod to The Talking Heads album "More Songs About Buildings and Food" which is super fucking cool.

3/5 

 
   Next up are Milk Music. Pretty terrible name. The album starts off fucking incredible with a doomy, noisy track called "He is Coming." The next song was really, really hard not to skip. It starts with an overly cheesy drum machine beat and then in comes in one of the worst singers ever. At least it's distracting me from these poorly played power chords. The song sounds like they took the entire mix and ran it through a blown out practice amp. Is this what it's like when I show people my music? Jesus.

  All of these songs sound like they're a totally different band. Luckily nothing else sounds like track two, but unfortunately nothing sounds like the opening track either. "Serious Listener" was really cool. It sounded like a demo to a fuzzy, ebow driven song. I usually love records that bounce around stylistically, but there really isn't that much finesse with it from these guys to be honest. The rest of the album was pretty neutral and harmless. 

2/5

   I listened to this album two times all the way through before I typed anything out. I fucking love this record so much. It's so hypnotic and well crafted. The musicianship is beyond anything I was expecting. Maybe this is why Mike told me to listen to this in the order he did. That last album was such trash that maybe this record is just mediocre. There are so many subtle perfections to the presentation of both the parts and the production. Parts that loop, but bend slightly to keep it performance based, drum tones that change without it sounding like a mix tape, and vocals that are vital but not the focal point. I'm definitely going to be listening to this one again and again. Can't wait to hear their other records too!

5/5
 

Here's what I recommended to Mike to listen to.


- Novak