Mar 31, 2014

Coady Willis and Dale Crover

What makes your favorite band your favorite band? You don't have to be a super music nerd to answer that. As long as you have a working brain stem, you should be just fine on this entry. Everyone likes different shit, but whatever you're into, you're into because to you it's cooler. Well for me, Coady Willis and Dale Crover are cooler than most drummers out there and I'm going to type a bunch of words you're going to read that explain why. Now being a drummer myself, this could be a fairly extensive read, so I'll try not to mention any other drummers or veer too far off target here. Also, feel free to read this with ten mailboxes in your ass.


 A fair chunk of people think Dave Grohl is the best drummer out there. That's an ok start, because that dude definitely hits hard, but he's still playing the same beats every 15 year old drummer plays at Guitar Center. I'd much rather hear people say Dave Grohl is the best drummer as compared to someone as boring as Ringo. As a drummer, I know that it can be very cathartic to just turn into the Hulk and start smashing drums, but it should still boil down to you actually playing a cool drum beat. That's where Dave and many other drummers fall millions of miles short in my opinion.

Ironically enough, there's a very big connection between Dave Grohl and the Melvin's. Dave worshiped Dale in the Nirvana years and they would switch off during Nirvana/Melvin's sets. Dave Grohl was actually supposed to be IN the Melvin's when Kurt died, but decided to start up the Foo Fighters instead. They were rigging up a huge kit they would both play together live, much like Dale and Coady do now. Dave Grohl did actually play on some Melvin's material as well and did a hell of a job! This of course was back when Dave actually did things that sounded cool rather than just looked cool to be a part of in Rolling Stone. Getting off topic...

Now the two drummers from this point are amazing drummers on their own. Dale did an excellent job carving the groove for the style drumming that inspired Coady and Coady did an amazing job bringing in his own groove with respect to Dale. Not only are they both bad asses, they both play together in the Melvin's! If you didn't know that, you should probably do your ears a favor and check them out. 

Dale Crover is a heavy hitting drum pioneer. He's been writing drum tracks that have you tapping your foot to a tempo you didn't even know existed, and he's been doing it longer than your dad's been cheating on your mom. The first time I heard Melvin's drums I remember picturing the drummer lifting his sticks up to the ceiling to get the sheer volume of the drum sounds coming out, and that's basically what I see watching him play. Songs like "Bloated pope" have drum tracks that really blow me away.


Coady Willis is a bad ass. Drumming in bands like the Melvin's, White Shit, and Big Business, Coady never disappoints. I just saw Big Business open for the Sword a few weeks ago. Coady's kit was set up dead center on the Grog Shop stage, just about on the edge to make room for the other band's equipment. I had a perfect balance of his live drums, his monitors, and the PA for the audience. He kept to himself as he set up his own drum kit piece by piece. Before anyone even noticed the band was ready to play, Coady started fucking destroying his drums to start off the set.


These guys play their drums with balls, but weird balls. Did I just turn you on? Seeing two drummers play the exact same weirdo fills with the speed and force that they do will make your brain hurt. There's nothing that bothers me more than going to see a band with a drummer who looks bored or tired behind his kit. Well, any member of the band, but especially the drummer. I know you can't just be Animal back there every single song, but I feel like a solid drummer can make a decent band a bad ass band. I mean to me, everyone in the band should be on top of their game. You shouldn't need a flashy guitar player to make up for your socially awkward bassist who's too afraid to move on stage, everyone should be up there kicking ass. 

Whether they're playing a straight beat or doing off tempo tom patterns, they're always playing as if it's the grand finale. Every snare hit, every ding and dang is played with such impressive accuracy yet aggression that I just start ejaculating everywhere. It's sort of embarrassing actually.. I always forget to wear semen-proof underwear when I see them play.


It's really as simple as playing your instrument how it should be played. You should treat your instruments ruggedly because that's what the fuck they're made for. It's weird to me seeing so many people get that wrong. Obviously you should have cases and tune the things, but I feel like so many drummers play like they're going to get in trouble if they play with them too loud. I feel as if it may be misunderstood that I don't understand the importance of dynamics, so I want to point that out again. You can't just break cymbals for every song.

Anyways, if you've read this far you clearly have some time on your hands so don't be a bird penis and watch the video of these guys nailing it with the Melvin's below:



 -Novak

Mar 27, 2014

Hi

I haven't posted in a while on here so I'm going to type some sentences about some things. Here are two things I like that you should, too.

http://timeisdivine.com/soz/soz-004.php 
(Click photo for a link to download the album)
 Magna Carta Cartel- Goodmorning Restrained 
  
This is my current obsession and biggest current inspiration. I could go off on a very lengthy tangent about how amazing this album is, but I'd rather you just listen to it yourself.. which I know no one reading this will do. The main brain behind this band is the same brains behind Ghost. To be honest, that's the main reason I checked the band out to begin with, but this bands' music is so fucking amazing that I don't care who is or isn't in it because it truly stands on it's own as a great album start to finish.

The video below shows them playing in a room with dim lighting that almost looks like my studio. Lighting in a room for me always plays a huge role. I don't want to feel like I'm playing music inside K-Mart with all the obnoxious florescent lighting. I wish I was there for what looks like a rehearsal.




Neil Young- On the Beach 

A great no bullshit album. All the songs are so well written that it wouldn't matter how well the album was even produced. The cover says it all to me. 




-Novak

Mar 26, 2014

Hellchild- "Bareskin" (Howling Bull Records, 1999)



One of the Japanese underground's most well respected and influential bands, Hellchild's 1999 effort "Bareskin" cemented their status as one of the more innovative, interesting, and eclectic acts in metal. Borrowing influences from death metal, sludge, American hardcore, and hard rock, "Bareskin" included dynamic (but not confused or awkward) shifts in musical direction throughout this rather wild ride through the band's warped psyche. Despite releasing splits with well the well known American underground acts Discordance Axis (1994) and Converge (2000), Hellchild still (in my humble opinion) is as underrated as any in extreme music and I feel it's necessary to acknowledge what is arguably one of the more impressive metal releases in the 1990s.


The overall sound of "Bareskin" is crushingly heavy, mid-paced metal with the signature crunchy riffs of guitarist Eiichiro Suzuki and the smooth double bass-filled beats of drummer Junichi Harashima. "The Answer" and "In This Freezing Night" are perfect examples of the band's sound on this record and showcase the dynamic vocal delivery of Tsukasa Harakawa whose range travels from a guttural howl to an almost drunken style of clean singing that is certainly unique and one of a kind. Whether or not Hellchild was influenced by them at the time, one certainly hears elements of Crowbar and even the Deftones in some of the songs. The low tuning and slower pace of the music accompanies the band's signature heaviness and thick guitar sound.

If I had a label I would certainly consider packaging a Hellchild collective compilation so that American audiences can finally have access to this and other fine material by this legendary band.





- Joe

Mar 24, 2014

The Other Big Four



The "big four" (Metallica, Anthrax, Slayer, and Megadeth) is a term that almost every music fan is familiar with. Thanks to millions of records sold, sold out concert tours, and countless VH1 specials, the term is embedded in our cultural mind and certainly helped revive interest in a genre of metal many declared dead and buried decades earlier. Although the famous four are due their respect, there were countless bands during thrash's heyday that put out tremendously influential and ground breaking material that at least four other spots should be chiseled out of the thrash Mt. Rushmore. These are the "other big four," thrash 'til death!!!

Kreator

I promised myself I was only going to pick one of the "Teutonic" bands and out of Destruction, Tankard, and Sodom I chose Essen's Kreator. Aside from being the band to sell the most records in the U.S., Kreator (in my humble opinion) defined the German sound that harnessed the evil chops of Venom and Bathory with punk and the established Bay Area sound to create some of the best thrash records around. "Pleasure to Kill," "Extreme Aggression," and "Terrible Certainty" are must haves in any thrash collection and Kreator will always be the cream of the Euro-thrash crop.



Testament

If Kreator embodied the German sound to pefection, the Bay Area throne belongs solely to Testament. Chuck Billy and crew  put out so many head banging classics and managed to accomplish something many of the original big four bands never did, consistently put out records in the 90s that weren't totally pathetic. Whether you're jamming "The Legacy," "Practice What You Preach," or even "Demonic," Testament is a metal institution as much as Slayer, Megadeth, or any of their contemporaries. Fact.



Sepultura

One of the underground's most important bands, Sepultura may have fallen out of favor with many in recent years but it is unquestionable that albums like "Beneath the Remains," "Schizophrenia," and "Arise," added a new level of extremity to thrash metal whilst paving the way for the coming of death metal worldwide. During the tape trading years when metal bands existed mostly on reputation and word of mouth, Sepultura managed to arise (no pun intended) from the humblest of origins to become one of the most respected bands in metal history. Say what you want, you still own five of their records and you know it.


Dark Angel

"I don't know man, I think this might be better than "Reign in Blood." That is what most people think when they finish listening to "Darkness Descends," the breakthrough album by Los Angeles' Dark Angel. Known as the "L.A. Caffeine Machine," DA (along with Slayer) defined the southern California thrash sound that included a noticeably larger influence from hardcore punk (hence the speed) and a more abrasive lyrical approach that sacrificed subtleties for out and out blasphemy. Perhaps it's because of the stupid television show that bore the same name or thrash metal counterparts Death Angel sharing such a similar name, but it seems like Dark Angel still doesn't get the respect they deserve to this day. That is a shame, because their material was in many ways miles ahead in terms of ferocity and technicality than most of the bands riding a trend between '85 and '92.




- Joe



Sci-Fi

I decided being a hermit all weekend was better than leaving my house.  After being surrounded by an overload of Sci-Fi movies from my collection, I figured I'd make a short list of movies you've probably heard of but never watched - and should.

12 Monkeys - from Terry Gilliam
The Abyss - from James Cameron
Total Recall - Based on the short from Phillip K Dick, from Paul Verhoeven
Videodrome - from David Cronenberg

Videodrome is a weird one - some will say it's sci-fi, some won't.  I'd include it. 

-Eat shit.

Mar 11, 2014

WHY AREN'T YOU JAMMING THIS?????

We all have those records that we only jam every so often. Somehow they always get filed away and forgotten about until they kick us in the face whenever they are inserted into the disc player. I never bought "Sadness Will Prevail" by Today is the Day, it was given to me by notorious frontman Steve Austin after one of my horrible grindcore bands recorded an album with him in 2004. When I first put this record on I remember being completely hooked and enthralled with the sheer sound, volume, anger, and general weirdness of the whole listening experience. Today is the Day's sound was ahead of its time and very influential, yet none of my peers seemed to pay attention to them. Austin described this particular record to me as "an extreme metal version of The Wall." Although at the time I dismissed this description as the most pretentious and idiotic thing I had ever heard, it rings truer and truer as time goes on.





- Joe

Mar 3, 2014

State Execution - Demo 2014

Tony Yanick was kind of enough to send me a link to his latest project State Execution's 2014 demo which is available for free online by clicking the link at the bottom of the page. Nothing fancy or forced here, six tracks of blistering UK inspired street punk / Oi! comparable to the UK Subs, Blitz, and modern bands like Criminal Damage. Personally I like the thinner production on the recording and the distance of the vocals in the mix (along with nice touch of well placed reverb) compliments the distorted buzz saw guitar tone and gives the tracks a sense of attitude without coming across forced or a disguise for lack of knowledge in the studio. These songs are well put together and have some great hooks and catchy choruses, particularly "Blank Cross" which makes you want to grab your Black Label and head up to the front of the stage to rage. Two guitars work well for State Execution and the lead playing is well supported on tracks like "Coffin Shopper" where the rhythms are kept alive strongly throughout some wild punk soloing. "Yellow Ribbons" is definitely the strongest track with the most powerful riff and vocal delivery, although the drums could stand to be a little louder in the mix which is my only complaint about the sound and overall demo. If you're a fan of classic 70s / early 80s UK punk or Oi! this is definitely a band worth checking out. These guys have been paying their underground dues in various bands throughout the years so it's no surprise that their new project is this caliber. High energy, high quality punk rock from Cleveland, OH, the future should be bright for State Execution.




http://stateexecution.bandcamp.com/



- Joe

Mar 2, 2014

Daily thoughts : 03-02-14

Currently on the trek back from the Keystone Hardcore Jam to the snow covered city I call home. I didn't really have any expectations for this trip other than a handful of ridiculous stories to reminisce about and 100 Demons to put on the wildest set I've seen years. Both of which did occur, and then some. Highlight sets of the night : 

Clenched Fist
Incendiary
Ramallah (best set of the night)
100 Demons
Sheer Terror

In summary - multiple driving citations, watching drunk hookers getting arrested, staying at the sketchiest hotel on earth, a cracked out Mr.T & the worst IHOP on earth for breakfast, fart porn and some top tier hardcore bands / fest with my friends made for a much needed getaway.

NO SLEEP TIL CLEVELAND

-Woods