Mar 22, 2020

Brian Eno and Roger Eno - Mixing Colours

   A surprising release by the Eno brothers! Of all the music these two have made, this is their first proper collaboration release, aside from the Apollo album which was more of a team effort. Both brothers have quite the discography at this stage in the life. To me personally, Brian Eno's approach to music is far more inspiring than the music itself. That's by no means to say the music isn't good. I'll hear an album by him and think I know how it was made, and it turns out he's taken a short sample of a window opening and slowed it way down, ran it through a fan and gotten this part that sounds like a piano. It's techniques like that that must be a total blast to do in the studio, and it's a unique treat when it actually sounds good.

   All the tracks are named after colors. Although they can each take you to their unique places, the album has a very solid consistency to it. Albums like these are difficult to review because they always make me feel differently every time I listen. So I'm done here! Do yourself a favor and check this one out!



-Novak

Mar 17, 2020

Brain Cave

   Over the years, I've been lucky enough to have been a part of the recording process of many local bands. Some bands come in with a skeleton of their material and they flesh it out as a band in the studio, some bands relinquish all trust in me to guide along their tones and arrangements, and some bands come in just simply needing me to hit "record" for them. Regardless of the mission at hand, it's always a learning experience for me.

Brain Cave 
(Mike Bellis - Guitar/Vocals, Matt Ducey- Drums, Josh Snyder - Bass/Vocals)  

   Bands like Brain Cave are a great example of a band that does all the work for me. They've been rehearsing the songs for months, arranging all their pedals and adjusting their tones just right, and are eager for the first step of the album process to begin. It creates a trust in the work flow that allows both sides to be more engulfed in the sometimes tedious process.

    The first time I got to work with these guys they were releasing a few songs for an EP, "Weight To Relax." Everyone was on time, excited, and full of ideas. I instantly got the feeling that these guys respected each other personally and musically. We worked quickly and worked hard on those EP's. It feels we've all come so far since then. As serious as we took those previous sessions a few years back, it seems like child's play compared to working on this full length.

   This full length was a big deal for everyone. I never take it lightly when a band returns to do another session, and doing two EP's was an honor enough. Then I was told that Jonathan Nuñez of Torche would be handling the mixing and it brought a level of pressure and excitement that I honestly have never felt before. This was a big chunk of important music to these now friends of mine, being handed off to someone everyone involved looked up to greatly. Time for us to be put to the test! 

   Ducey and I brought all of our secret weapons to the table, listed them all out, and started planning which mics would go where and why. We had a very detailed reference list from Jonathan. We ended up with a blend of all three of our ideas for things before tracking. Ducey has a clear vision on what he wants and sometimes that can create some temporarily tense moments, but it always come from a good heart with the end result in mind. It's always important to keep an open mind when aiming for new sounds and specific results, which luckily everyone has. Some techniques that may work every time for one thing, may be the downfall to another. Keeping all of that in mind, we got levels quite quickly and started tracking the following day.

   One of the key elements I saw to help this record along was taking our time. Seeing things to their logical closure point. I promised these guys 100% of my studio space and schedule to make this a comfortable project. That and a table full of snacks every session ensures we can continue to respect not just each other, but the music itself.




    Each session we make great progress. Each song has at least 16 tracks of guitar and almost as many for bass as well. There always seem to be that one song, or one verse that trips someone up somewhere but with all the layering and tracking we're doing, it hasn't even remotely slowed anyone down. The vibe with these guys is a genuinely cool blend of hilarious and hard working. I'm always looking forward to driving out there on session days.

   So keep your eyes peeled for this full length in the next few months here. We've got one or two more vocal sessions and then we're sending that bulky folder over to Jonathan. Then it's his problem to mix and we can go back to the snacks.


   Be sure to follow and download all of their current material on their various social media platforms: 



- Novak

Mar 16, 2020

Top 10 Albums


Some reading material for those of us smart enough to stay inside.
   
   Top 10 lists are hard as fuck. They always feel so etched in stone for some stupid reason, even though it's just a blog that no one reads. Putting them in some sort of order always drives me mad too. These are the albums that would almost feel like someone is mentioning a family member when the album title gets brought up. Records you've listened to countless times. Whether it's the musicality on them, the production, the lyrics, the general uniqueness, or all of the above! There are hundreds of albums and artists that are nowhere to be found on here, which I'll save for a more extensive collection. 

 1. Autolux: Future Perfect
    This one has always been at my number one spot. I can't say it always will. In fact, I hope to find something that makes this album seem less cool because I'm getting sick of always blabbing about it. It's just a perfect album from start to finish. It's the perfect blend of noisy, unique music in the format of pop music. So much force, so much music from this shy little trio. It's tough to decide if I like the demo of this album more than the proper release or not. 


 2. Nine Inch Nails: The Fragile
    A close second. I know I'm not alone on this, but this album feels like a best friend to me. This album must have been a fucking nightmare to mix. Hundreds of layers that come in and out of each song so organically, so tastefully. It's a consistent reference point when I take a stab at layering my own material. I remember listening to it on my shitty stereo as a kid and thinking.. "Where are all of those other sounds coming from? I only have two speakers." At no point does the record feel bloated or over produced to me. Even as a double disc album, time seems to fly by when I sit down with it. I've also never heard an album come so close to explaining almost word for word my own struggles and triumphs. It's also one of the most intriguing writing processes to me. I've tried to find every interview, photo, and liner note I can to understand where each instrument and photo came from on here. Hearing "Deviations" - which was an instrumental, uncut version of this same album released a few years ago made the 1999 release almost feel like a different album entirely.


3. David Bowie - Outside 
   Finding the right Bowie record for here wasn't as hard as I thought. This album is the best example/reason David Bowie is such a massive inspiration for me. A lot of people hail the real early albums like Ziggy and Aladdin, but stuff never resonated very much with me. It was a self admitted attempt at a more musical theater type genre. The mid to late 70's had some crucial releases, the 80's were pure trash, the 90's had the most inventive music, and the last few records were fucking masterpieces. Outside though to me was very much a stand alone album compared to all the others. Here's an artist who could easily get away with a "top hits" type tour and he's out playing these long, drawn out and slow, abstract songs to a silent audience. It's brilliant. Taking chances, challenging yourself and audience. There's apparently a whole 2-3 hours of unreleased material from these sessions that I would love to get my hands on.

 4. Sonic Youth - Evol 
    Picking the right Sonic Youth album was a little bit more difficult. This was a band that I honestly did not grow up listening to, or really knowing much about. It wasn't until the last 10 years or so that it kind of all hit me at once and I wondered why I wasn't listening sooner. Evol's production took already pretty dismal, tense songs and somehow seemed to sharpen their edges. The use of reverb and space on all the tracks made it seem so much more emotional to me. Not in a sad way, just in a very frantic, painful way.  

5. Iggy Pop - The Idiot
    A vital time for both Iggy and Bowie in their European adventures. Heavily inspired by bands like Kraftwerk and Neu!, they took the electronic web surrounding those styles and put more human/funk elements into the drums. This album has inspired far more records you listen to than you know. As obviously important at The Stooges were, I feel this album has left a heavier mark by a landslide.

6. Tool - Lateralus 
    This album seems to get better and better in time. It's been gushed about before in here by me a few times, but it really just boils down to a really well written and arranged album. It's by far my favorite drum production. A consistent reference point for how kick drums and snares react to clean guitars especially. It's hard for me to put something as important to me as production aside, but I think even if there was some shitty phone recording of this album, it would still easily make my top 10. 

7. Lightning Bolt - Wonderful Rainbow
   Here's a perfect example of something that completely fucking blew me away when I heard it. I had never in my life heard something as assaulting yet enjoyable as these lunatics. It was the perfect inspiration for a drum and bass duo I was playing in at the time too. Seeing these guys live is a real treat. They do the best they can to play in the middle of the room, avoiding stages to have the crowd surround them while they play. All their albums are magical, but this one is my favorite. 


 8. Stars of the Lid - The Sleepy Sounds of 
   The order of these isn't super important, but this one would be closer to the top if it was that serious. Stars of the Lid saved my life. It's like a mental reset every single time I hear their music. This was their sixth release and as hard as it may be to pick a favorite, this would be one of them for sure. It's one of those albums for me that makes it impossible to listen to just one track. I have to play the whole album if I even get a taste. Do your brain a favor and listen to anything by these guys right away. 

 9. Isis - Celestial
   If you can't tell by all my other picks, I'm not a big metal guy. This was a band that was introduced to me around 2011 or so, when this blog was starting actually. It was one of the few bands we all agreed on almost all of their music for different reasons. The first thing that stood out to me was the drums. They sounded like shit, but the grooves were so solid that I didn't seem to mind. It was progressive rock, with a ton of anger behind it. It was a tough pick between this and The Red Sea. Both albums seem to pick up so clearly on the many emotions and thoughts seemingly going through each members minds while writing this. It was so refreshing to me hearing something so pissed be so smart.

 10. The Talking Heads - Remain in Light 
   Last but probably not least, these guys! This was an album that immediately seemed too catchy for me. Although it was a good thing!  One of those "why didn't I think of that?" type moments throughout. We all know most of their hits, but this album has been in my rotation of music for years now. Every track is so clean, so crisp. It's hard to tell which parts are the focal points because it's just mixed so well. Adding Adrian Belew to this album is honestly what sold me. That beast could play on a fucking Wiggles record and it would make my top 10.  Outstanding album!


Ok, well I'm going to TRY not to re-read this too many times because I'm already considering doing a top 15, or 20 and editing everything I've already typed.




- Novak